The 'bait' is an action that seeks direct impact skipping the linear development of speech. Is to show a scene that involves an advance in the plot, so that the 'sacrifice' story gets generated interest in the viewer and predisposes to the rest of the story. Very often lies in the opening scenes of the film, or at least within the first act of the same.
's often chooses to reveal a part of the outcome, but not always necessary to remove some of the content of the final. Whatever you decide to extract, the scene must always be logically linked with the scene that will go ahead. If you opt for a meaningless blob is positioned to produce an effect will break the coherence of discourse. Should always be spun any way with the start of the story to avoid becoming isolated.
Above all, avoid placing the bait in a particular that reveals the axis argument, which break the interest of history. The scene gives a hint, in context and describes the tone of the film, but never offers key points. In that case, the interest to be created would fall for the rest of the plot.
's daughter and the camera: the bait
American Beauty screenwriter Alan Ball uses the bait bound in two scenes. In the first scene, the daughter talking to someone that recorded in video camera and tells him that if he could kill his father (Lester, the protagonist of the film.) In the second, reveals that Lester is effectively dead.
The bait is thrown in a certain and very attractive combining the intimacy of the first scene with the sarcastic tone of the next. We say that a daughter plans to kill his father, and that this indeed has died. Does it meet? How will history to that point dramatically so controversial? There is create expectations, and gains much of the viewer's attention.
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