Yellow
these emerged as a result of production and circulation tons of sensational material with which any city, among which of course includes the artist himself, crosses to navigate daily life.
scantily clad girls who seek to achieve a place in the world of the show and police news in disaster plan create a perfect cocktail, effective and with a tremendous share of morbidity that is fast coming to the unsuspecting viewer.
dangerous curve. 2009. Collage
Marche prisoner. 2008. Digital print on photographic paper.
Shooting at Esperanza. 2009. Collage
Stop the presses. 2008. Digital print on photographic paper.
Recurring themes. 2009. Collage.
Marche 2 prisoner. 2008. Digital print on photographic paper.
planets collide. 2008. Digital print on photographic paper.
Walking to and fro . 2009. Collage.
The triplets. 2008. Digital print on photographic paper.
Marche prisoner 3. 2008. Digital print on photographic paper.
On any given day. 2009. Collage.
Masoquista! . 2009. Digital print on photographic paper.
Glamour above all things! . 2009. Collage.
The roots of hatred. 2009. Mixed
Reconstruction of the fact. 2008. Digital print on photographic paper.
Wilde Death Wish. 2008. Digital print on photographic paper.
The final . 2009. Digital print on photographic paper.
Platoon. 2008. Digital print on photographic paper.
Animalada! . 2008. Digital print on photographic paper.
la carte menu. 2009. Collage.
Done. 2009. Print digital photo paper.
I want to marry in white. 2009. Collage.
Greed. 2008. Digital print on photographic paper.
prefer to sleep alone. 2009. Collage.
Mimoso. 2009. Digital print on photographic paper.
I feel better than ever . 2009. Mixed media.
PAPERS
Decisions explosive. 2008. Collage. 44 x 35 cm.
the half. 2008. Collage. 44 x 35cm
Close encounters of any kind . 2008. Collage. 44 x 35 cm.
Devotion. 2008. Collage. 44 x 35 cm.
right and necessary thing. 2008. Collage. 44 x 35 cm.
"5 º Festival América do Sul."
http://www.festivalamericadosul.com.br/
Between 30 April and 4 May 2008 was carried out the city of Corumbá, in Mato Grosso do Sul, the "5 º Festival América do Sul."
During those days, and full Brazilian Pantanal, artists from different disciplines and countries exhibit our work. At the Institute Luis Albuquerque, curated by Rafael Maldonado, was held the exhibition "A year slide side." There were drawings paintings, video installations, interventions and performances in Brazil, Chile, Bolivia, Uruguay, Paraguay and Argentina.
As Argentine representative, Felix Torrez submitted two proposals: "Not so sacred Scriptures, drawings in pen on paper and" O sonho da casinha proprio ", a facility that is part of a work project called "Dreams."
on the Brazilian experience was very rewarding and highly positive, because of the possibility to make links with other artists and to make contact with an event that adds a grain of sand to the integration and cultural exchange between our countries.
Moving Targets
Intervention in trains
Buenos Aires, February 2008 .- For the first Once in Argentina, after his first experience in Germany and Poland, on Friday, February 29 at 11:00 pm. was carried out "Moving Targets: Cultural Travel," based on the artistic Proyecto'ace International (the first International Artistic Residencies in Visual Arts from Argentina) and the prestigious American artist, John Hitchcock, from the University of Wisconsin-Madison. This international cultural action is framed within the Cultural Management Program Metrovias: SubteVive was made between the stations and Lacroze Federico Moreno Fernandez Ferrocarril General Urquiza. The artists who participated in the program were circulated giving away the work the original passengers on the cars and found on the station platforms of particular formations recorrido.Hubo "decorated" with these works. This initiative, undertaken for the first time on a train from Berlin (Germany) and Poznan (Poland), is to reflect on how public transport can become a means of cultural dissemination, while emphasizing the tradition has the graph as a vehicle for communicating ideas. Title, Moving Targets, expresses the difficulty of trying to stop something or destroy it when in motion. Literally in this case the vehicle is the means of expression, showing the artistic potential that exists in the graph as an agent to promote reflection and change. The works of the artists selected participants from throughout Latin America, among them Felix Torrez, were displayed on the cars of the Railway Line General Urquiza, between stations Lacroze and Fernandez Federico Moreno. and then the work involved and the records were displayed in Virginia Commonwealth University in Richmond, Virginia. There
John Hitchcock showed in his lecture on "Appropriations" Moving Targets banners to artists teachers and students of art.
Banner No. 5 and recording the action.
Falling Down. 2008. The work with which we were heading.
Related Links
http://www.gallery5arts.org/History% 20and
http://www.revistaenie.clarin.com/notas/2008 / 03/04/01620893.html
http://www.revistaenie.clarin.com/notas/2008/03/04/01621036.html
http://argentina.artealdia.com/content/view/full/74473
h ttp: / / argentina.artealdia.com/content/view/full/74567
Reality
Corporal Trotter torrez.blogspot.com
Felix Torrez with Andrea Trotta have conducting an interdisciplinary project is being called "corporeal reality."
His reflections are based on a depth look into the inner life of the subjects, the link between body and soul, the relationship between skin and flesh.
Under this proposal are made objects, videos, pictures, posters, performances and interventions.
then can see part of the material.
scale human figure made of iron coated with beef. It will then be cooked and
shared with the public. We dive
by unknown recesses of the body surface, for as information overload does not lead to reflection and silence to her is opaque, the alleged insolence with which appeals to the naked body in the media does not lead to contemplation. The body is reduced to an object and then, once in contact with it, becomes a fetish. The surface of the body is love, but what area is that love?, Does any body? no. It praises a specific body according to the canons of beauty that now dominate the discourse. And all its harshness, its marks, blemishes, scars, bumps, ridges are hidden behind a screen of false perfection.
show the body with its alleged defects to resignify its dense symbolic value. Gestures communion with him, digging, meticulously put the glass on that body "deformed" to highlight in this deformity, the beautiful. Those wrinkles
current reality displays as a default, we have given a place after his forced contemplation becomes attractive to us, a fascinating world to discover, winding roads to travel and get lost. Pores that would one be in, road, known.
dismemberment feel about the nature and relationship with other bodies like a rock against which we disclose it.
want something not considered "ugly" is displayed as "beautiful", but draw the viewer ugly and find it beautiful in itself.
Posters
Body uprooted from nature:
the body in modernity establishes the link with the symbolic through the material. It is the thing who comes between a person and another. The significance is placed on a material object, but is built from an outside individual.
not produce an actual meeting between the spiritual and the world around .
"A healthy mind, healthy body." Photo intervened. 2008
